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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Environmental sculpture ： ウィキペディア英語版 Environmental sculpture Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area.〔Britannica Online: () "20th-century art form intended to involve or encompass the spectators rather than merely to face them; the form developed as part of a larger artistic current that sought to break down the historical dichotomy between life and art." 〕 == Sculpture as environment == Julia M. Bush emphasizes the nonfigurative aspect of such works: "Environmental sculpture is never made to work at exactly human scale, but is sufficiently larger or smaller than scale to avoid confusion with the human image in the eyes of the viewer."〔(Busch, p. 27)."A Decade of Sculpture: the New Media in the 1960s" (1974)〕 Ukrainian-born American sculptor Louise Nevelson is a pioneer of environmental sculpture in this sense. Busch (p. 27) also places the sculptures of Jane Frank, as well as some works by Tony Smith and David Smith, in this category. Some environmental sculpture so encompasses the observer that it verges on architecture. George Segal, Duane Hanson, Edward Kienholz, Robert Smithson, Christo, and Michael Heizer are well known practitioners of the genre, although Segal and Hanson's work is figural. Many figurative works of George Segal, for example, do qualify as environmental, in that - instead of being displayed on a pedestal as presentations to be gazed upon - they occupy and perturb the setting in which they are placed. A well known instance of this is the pair of Segal figures that sit on and stand next to one of the public benches in New York City's Sheridan Square; anyone can sit amongst them. A less known but more appropriate example is Athena Tacha's park ''Connections'' in downtown Philadelphia (between 18th St. and 19th St. two blocks north of Vine St.), created as a landscape art environment after her winning a competition in 1980 (where Segal was actually one of the finalists). It was the first park designed entirely by an artist "sculpting the land" with planted terraces, rock clusters and paths (completed in 1992). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Environmental sculpture」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.